Chromatic Encounters: Experiencing Colour from Early Modern Literature to Modernism
Ce colloque en anglais explore comment la couleur, au-delà de son symbolisme classique, enrichit et transforme l’expérience littéraire selon des dimensions culturelles, matérielles et sensorielles, jusque dans la réception et la remédiation.
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Du 26 juin. 2025 au 28 juin. 2025
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09:00 - 19:30
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Colloque
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26 et 27 juin : Campus des Cordeliers, amphithéâtre Bilsky-Pasquier.
28 juin : CNAM, amphithéâtre Abbé Grégoire.Inscription obligatoire via ce lien.
Chromatic Encounters wishes to take the significance of colour in literature beyond the universalizing symbolism which has dominated many approaches to colour so far. Our international speakers will look at the specifics (cultural, historical, material, geographic, political, sensorial, racial and environmental…) of the experience of colour within and surrounding the literary space/text.
These questions will help us to see how colour can challenge our understanding of literature by taking it beyond the book/page:
- How do literary texts envisage and represent colour and its material forms?
- How does colour, in the guise of illustrations or additions to a text, influence processes of reception and remediation?
Since the pioneering work of Michel Pastoureau and John Gage in 1990s, colour studies have grown into a wide interdisciplinary field, embracing new research trends, from gender-focused to environmental and post-colonial approaches. Following the recent ‘material turn’ in the humanities, chromatic materiality is also being discussed by an ever-increasing number of disciplines. Literary studies, however, have so far lagged behind. Indeed, with the exception of the illustrated text, the difficulty of reading colour is that it is not there, the black-and-white page necessarily invoking it by absence or abstraction.
The conference Chromatic Encounters aims to create a dialogue between literary and colour studies by exploring the experience of colour in literature written in English. It builds on the expertise developed by the CHROMOTOPE team (Sorbonne Université, CNAM and the University of Oxford) during the past five years. The main objective of the ERC project CHROMOTOPE was to study what happened to colour in the 19th century – a period when the art of ‘chromographia’ seems to have taken on a new dimension following the invention of a wealth of new synthetic dyes for which new names had to be devised.
The conference broadens the historical scope of the project, going back to the age of print which marked the dawn of modernity and radically changed the experience of reading, and up to the age of modernism in the early 20th century. Within this broad time framework, ‘Chromatic Encounters’ seeks to interrogate how literature provided a stage for the shifting relationship between colour and changing concepts of the modern.
Programme
9h–9h30 : Registration and welcome coffee
9h30-10h : Opening words
10h-11h15 : Keynote
Chair: Anne-Valérie Dulac
- Steve Mentz, Kinds of Blue: Colors, Water, and Ecological Dynamism
11h15–11h45 : Tea and coffee break
11h45-13h15 : Panel 1 - Impressions and Emotions
Chair: Emily Eells
- Catherine Maxwell, ‘Ideal Instants’ and the Impressionist Lyric of Colour
- Nicholas Gaskill, Colour and Intensity in Modernist Poetry
- Gwenda Koo, Katherine Mansfield: A Subjective Experience Coloured by Emotions
13h15-14h30 : Lunch
14h30-15h30 : Panel 2 - Global Encounters (1)
Chair: Madeline Hewitson
- Lucy Powell, Making Whiteness Visible: Behn, Pope, Mignard and the Colours of Colonialism
- Anita Raychawdhuri, Shakespeare’s Blues: The Significance of Blue in the Early Modern World
15h45-16h45 : Panel 3 - Global Encounters (2)
Chair: Stefano Evangelista
- Rosie Blacher, Vision in T. N. Mukharji’s A Visit to Europe (1886)
- Béatrice Laurent, Syncretic Chromatics in Lafcadio Hearn’s Experience of Japan
16h45-17h15 : Tea and coffee break
9h-9h30 : Tea and coffee
9h30-11h30 : Panel 4 - Anxious Modernities
Chair: Isabelle Gadoin
- Angie Dunstan, Slow Fade: Anxious Chromatic Encounters in Victorian Literature and Visual Culture
- Michele Brugnetti, The Aesthetic Experiencing of Colour: Tracing the Connection between aesthetic Bildung and Chromatic Encounters in Walter Pater’s Gaston de Latour
- Mimi Lu, Colouring the Idea of a University: The “Secondary and Tertiary Hues” of a Modernising Institution
- Leonor-Jo Barnard, Dark and Earthy Shades: Ecological Consciousness in Thomas Hardy
11h30-12h : Tea and coffee break
12h-13h : Panel 5 - The Material Book
Chair: Matthew Winterbottom
- Melissa Tedone and Rosie Grayburn, The Poison Book Project: Examining the colourful Materiality of mass-produced nineteenth-century Euro-American Book Covers
- Giulia Simonini, Colour Materiality in early nineteenth-century Watercolour Painting Handbooks
13h-14h30 : Lunch
14h30-16h : Panel 6 - Texts and Textiles
Chair: Julie Loison-Charles
- Alessandra Ronetti, ‘Eiffel Red’: Materiality, Fashion and Urban Experience in fin-de-siècle Culture
- Suchitra Choudhury, White (lies): Pale Shawls in Victorian Literature
- Gabriel Saada, ‘A Mosaic of Pieces of Colour’: Romance as Textile in William Morris’s late Prose Fictions
16h-16h30 : Tea and coffee break
16h30-18h00 : Keynote
Chair: Charlotte Ribeyrol
- Alexandra Loske, Teaching the Basics and Subtleties of Colour: Women Writing and Illustrating for Children and Young Art Students from 1805 to the 1940s
18h-19h30 : Drinks reception in the Cloisters of the Campus des Cordeliers
9h-9h30 : Tea and coffee
9h30-11h : Panel 7 - Colour on Stage
Chair: Robert Stagg
- David Taylor, Kaleidoscopic Dryden: Theatre, Empiricism, Colour
- Armelle Sabatier, Performing Colours in Early Modern Drama: Theatrical Chromaticity in Shakespeare’s The Two Noble Kinsmen (1613), a case study
- Nora Galland, Chiaroscuro Aesthetics in Early Modern Drama: Race, Gender and Class
11h-11h30 : Tea and coffee break
11h30–13h : Panel 8 - Chromatic Epistemologies
Chair: Nicholas Gaskill
- Elodie Ripoll, A Literary History through Colours
- Arnaud Dubois, ‘A Biological Classification of the Colours of Living Organisms’: Alfred Russel Wallace and the Categorisation of the Colours of Nature
- Joyce Dixon, Charles Darwin’s Colourscapes: Chromatic Notation on the Voyage of H.M.S Beagle
13h-14h : Lunch
14h-15h30 : Closing round-table
Organisation
- Anne-Valérie DULAC, maîtresse de conférences en études élisabéthaines, Sorbonne Université
- Stefano EVANGELISTA, professeur de littérature, Faculté d’anglais de l’Université d’Oxford
- Stella GRANIER, doctorante du projet ERC CHROMOTOPE, Sorbonne Université
- Charlotte RIBEYROL, professeure de littérature britannique du XIXe siècle, Sorbonne Université
- Julie LEGANGNEUX, manager de projets européens et communication scientifique, Sorbonne Université
Intervenantes et intervenants
- BARNARD Leonor-Jo, University of Oxford
- BLACHER Rosie, Kingston University
- BRUGNETTI Michele, Sapienza University of Rome
- CHOUDHURI Suchitra, University of Glasgow
- DIXON Joyce, University of Edinburgh
- DUBOIS Arnaud, CNRS
- DULAC Anne-Valérie, Sorbonne Université
- DUNSTAN Angie, Queen Mary University of London
- EELS Emily, Université Paris Nanterre
- EVANGELISTA Stefano, University of Oxford
- GADOIN Isabelle, Université Sorbonne Nouvelle
- GALLAND Nora, Université de Bretagne Occidentale
- GASKILL Nicolas, University of Oxford
- GRAYBURN Rosie, University of Delaware
- HEWITSON Madeline, University of Birmingham
- KOO Gwenda, University of Cambridge
- LAURENT Béatrice, Université Bordeaux Montaigne
- LOSKE Alexandra, The Royal Pavilion, Brighton
- LOISON-CHARLES Julie, Université de Lille
- LU Mimi, University of Sidney et University of Oxford
- MAXWELL Catherine, Queen Mary University of London
- MENTZ Steve, St John's University
- POWELL Lucy, University of Oxford
- RAYCHAWDHURI Anita, University of Houston Downtown
- RIBEYROL Charlotte, Sorbonne Université
- RIPOLL Elodie, Universität Trier
- RONETTI Alessandra, Sorbonne Université
- SAADA Gabriel, Sorbonne Université
- SABATIER Armelle, Université Paris-Panthéon-Assas
- SIMONINI Giulia, Technische Universität Berlin
- STAGG Robert, Texas A&M
- TAYLOR David, University of Oxford
- TEDONE Melissa, University of Delaware
- WINTERBOTTOM Matthew, Ashmolean Museum
Partenaires de l'événement
Cet événement est organisé en collaboration avec l'European Research Council, l'Oxford University et le Conservatoire National des Arts et Métiers (CNAM).
Lieux de l'événement
26 et 27 juin
Campus des Cordeliers
amphithéâtre Bilsky-Pasquier
15, rue de l’École de Médecine 75006 Paris
15 rue de l'École-de-médecine
75006 Paris
28 juin
CNAM
amphithéâtre Abbé Grégoire
292, rue Saint-Martin 75003 Paris
Voix Anglophones Littérature et Esthétique
L'unité de recherche Voix anglophones, littérature et esthétique (VALE) fédère depuis 2006 l’ensemble des chercheurs et chercheuses en littérature et en esthétique du domaine anglophone de la Faculté des Lettres de Sorbonne Université.